Tracing Ancestors from Great Grandfather KH Babun Appu de Silva

Memory is not exactly memory. It is more like a prong, upon which a calendar of similar experiences happening throughout the years, collect.” –Stephen Spender.

There is a deep yearning and a hunger in me to delve into the past and trace my ancestors. In many ways, we are who we are, because they were who they were. I look down at my hands and I see my mother.  I sit on my bed, surrounded by books and think of my father who did the same. The birth of my granddaughter, the latest addition to our family, Freya Amelia de Silva was another reminder of how we all carry bits of our ancestors in us and then pass it on to the next generation.

So it’s time to present probably the oldest member of the clan from Hikkaduwa, that I have a photograph of  — my paternal Great grandfather Kaluappuwa Hennedige Babun Appu de Silva (GGF).

Kaluappuwa Hennedige Babun Appu. Photo Copyright Chulie de Silva

Kaluappuwa Hennedige Babun Appu de Silva. Photo Copyright Chulie de Silva

 

On my mother’s side there was a Great Great Grandfather with an impressive long name —  Mudaliyar Wijesuriya Gunawardene Mahawaduge Andris Perera Abhaya Karunaratne Dissanayake from Panadura. I have written about him earlier. But unlike him, we have very little information on GGF Babun Appu.

Much of what I present here is culled from the family’s collective memory and my extrapolating or inferences might be considered dodgy, but this is the best we have at present, till someone else can come up with better facts.

For starters let’s take the clan name “Kaluappuwa Hennedige.” Kalu probably comes from having a darker skin tone — not considered a bad thing. God Vishnu statues in temples had a dark almost a blue black colour. Appu is supposed to be a derivative of Malayalam “Appa” meaning father. However, my father Bennie used to say it is not “Kaluappu” but “Kulappu” meaning hot tempered.

Babun Appu’s regal bearing is more in keeping with someone, who held a good position in the country. Anyway it’s the second name “Hennedige” that points to a vocation. Our family belongs to the Karava caste and Hennedige’s also Senadige’s were the house of the commanding officers. “de Silva” would have assigned by the Portuguese rulers .

Leonard Woolf named one of his chief characters in his classic novel “Village in the Jungle” Babun Appu — the name was then not unusual and is the Sinhalese transliteration of the Hindu honorific Babu. I have no clue as to his wife’s name as most of the records kept at Siriniwasa, our house in Hikkaduwa was lost in the tsunami. This included another valuable photo of him taken when my father’s eldest brother Parakrama ( aka Edmund) returned from England after obtaining an MA in Zoology from the University of London. My brother who remembers the photo says my uncle had a garland in his hand as in the photo below and GGF was also there. That photo had been taken near the railway line where his house was and I suppose this photo of Babun Appu was taken there too.

K H Bastian de Silva & S K Pintho hamy with their 7 sons. circa early 1930s. Photo copyright Chulie de Silva.

K H Bastian de Silva & S K Pintho hamy with their 7 sons. circa early 1930s at Siriniwasa. Photo copyright Chulie de Silva.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

What we know for sure is that my grandfather, KH Bastian de Silva was his eldest son. He had another son KH Henderick de Silva, and 4 daughters. One daughter Jane, married a wealthy businessman a Mr. Rajapakse from Ambalangoda and drove a Morris 8 Tourer and would come to visit Bastian driving her own car, dressed in the cloth (Kambaya) and Kabakuruththu as was the day dress for Karava women in that period. Jane might have looked some what like the painting below of a Sinhalese woman in a cloth and Jacket. By the way here in this painting the cloth looks more like a skirt. Most of the Western artists of the past didn’t accurately draw a woman in a Kambaya.

A woman in Cloth & Jacket, rephotographed with permission from author Rajpal Kumar de Silva from the book Pictorial Impressions of Early Colonial Sri Lanka: People and their Dress, Serendib Publications, 2014. This photo copyright Chulie de Silva

A woman in Cloth & Jacket, rephotographed with permission from author Rajpal Kumar de Silva from the book Pictorial Impressions of Early Colonial Sri Lanka: People and their Dress, Serendib Publications, 2014. This photo copyright Chulie de Silva

My grandfather seated on the front verandah with grandmother at Siriniwasa, would see her coming and say “Here comes the yakshini (she-devil)” and quickly retreat to hide in his room. The two sisters-in-law apparently got on well. Most likely they would have had tea and a good gossip. The Grand Aunt Jane was probably the first female to drive a car in the family and am told she had a handy hip flask of brandy and needed a swig from it for a bit of Dutch courage before starting on the drive back to Ambalangoda. She had 5 children — 4 sons and a daughter, according to my mother. The eldest son,  Dr. Sugatha Rajapakse, was a London qualified doctor who stayed on in UK and he in turn had a daughter Ajantha. The other 3 sons were Piyadasa, Jinadasa, Mahindadasa. My mother from whom I got this information was herself at age 90. She couldn’t recall the daughter’s name. Grand Aunt Jane, in naming her children had shifted from the Western names to Sinhala names.

Two other sisters of my grandfather married men from Magalle and one of them was Beatrice also known as “Bala Hami Nanda” and was the mother of Uncle Susiripala de Silva. There were aunts Leelawathi, Gnanawathi and Indrani who would visit us regularly at Hikkaduwa. Uncle Susiri, a much loved uncle, was quite a rebel in his youth. Meeting him in Singapore in the 70’s, he recounted how when he was boarded in a school in Hatton, where my Uncle Lionel was the principal, he scooted off from the hostel — I think after a caning from Uncle Lionel — and walked back to his mother in Magalle, Galle — a distance of over 200km.  He was packed off to Singapore as most incorrigible children were at that time, and fought with the Japanese in World War II before becoming a successful gem merchant. His story is another interesting tale that needs to be told.

Coast road to Hikkaduwa, near Peraliya, still showing the erosion of the beach 30 Dec. 2008.Photograph©Chulie de Silva

Coast road to Hikkaduwa, near Peraliya, still showing the erosion of the beach 30 Dec. 2008.Photograph©Chulie de Silva

The other daughter of Babun Appu married into a Peraliya family and my mother remembers my grandmother referring to her husband as “Peraliya Massina” — meaning Brother-in-Law from Peraliya. Peraiya in the last decade was where the train tragedy of the tsunami 2004 occurred. Most os us have lost touch with this branch of the family.

Brothers Bastian and Henderick were the best of friends and were building contractors. Apparently, the trust was so good that they shared one purse. Among many of the up country buildings alleged to be built by Bastian are the Hatton Post office, Labukele Tea factory and many tea estate bungalows. No doubt brother Henderick was there too, communicating with the British Planters, as he was the one more proficient in the English language. Bastian was also the first one to introduce electricity to Hikkaduwa. The big Chubbs iron safe we have at Siriniwasa, was a discarded one from an English Planter, that Bastian brought down to Hikkaduwa and installed it in the house.

A unique incumbent of Siriniwasa was the huge Chubbs ironsafe my grandafther had built into this house. According to Aunt Maya, my grandfather would light a huge hurricane lamp in the evening and keep it on top of the safe.The tsuanmi damaged safe in 2008. Photograph©Chulie de Silva

A unique incumbent of Siriniwasa was the huge Chubbs ironsafe my grandafther had built into this house. According to Aunt Maya, my grandfather would light a huge hurricane lamp in the evening and keep it on top of the safe.The tsuanmi damaged safe in 2008. Photograph©Chulie de Silva

However, things changed when Bastian married Sella Kapuage Pintohamy from Ambalangoda and Henderick married Patabendige Missinona.  Patabendige’s are supposed to be descendent of Kings, and the two women might have been competitive. Anyway, their quareling probably got to Bastian and he built Siriniwasa and moved his family to live by the sea in 1911.

The sea behind Siriniwas, a surfing point named  Benny's Point, after my father., Hikkaduwa. 16 Jan 2014.  Photograph© Chulie de Silva

The sea behind Siriniwas, a surfing point named Benny’s Point, after my father., Hikkaduwa. 16 Jan 2014. Photograph© Chulie de Silva

Bastian and Pintohamy had seven sons — Edmund later took the name Parakrama (born 1903); Albert (born 24 June1905, the only one who kept his given name); Lionel later took the name Haripriya (born 1907); Richard later took the name Ratnasara (born 22 Aug.1910); Vincent later took the name Vidyasara (born 20 Nov 1912); Bennie later took the name Bhasura (born 13 May 1918) and Bertie later took the name Cyril (born 1920). All of them dropped the “KH” and the “de Silva” and took “Kirtisinghe” as the surname about the time my grandmother’s brothers took the name “Kularatne.” Here again 5 of them dropped the English names and took Sinhala names.

Henderick and Patabendige Missinona  had 3 sons and 3 daughters. The eldest was daughter Regina who married a lawyer Mr. Danister Vincent Balasuriya from Matara. Regina Nanda, as we called her went on to become the  Prinicipal of Sujata Vidyalaya. It is said that “the golden era of Sujath Vidyalaya dawned with Regina Balasuriya taking over the principal’s post.”

Henderick’s eldest son was KH Wilmot Oliver de Silva who married Vinicia Fernando. He himself was a renowned school Prinicipal and among his students that I knew ws one brilliant chap who achieved a first class degree in Science and now lives in UK pursuing an academic career.

Waldugala rocks seen at sunset on 1 Jan 2014, t low tide from Chaya Tranz. Photo copyright Chulie de Silva

Waldugala rocks seen at sunset on 1 Jan 2014, t low tide from Chaya Tranz. Photo copyright Chulie de Silva

Then came Uncle Lambert — full name KH Solomon Lambert de Silva who was a member of the then prestigious and exclusive Ceylon Civil Service. He married Dayawathie de Silva, a lady with the same name as his younger sister. Uncle Lambert was known for his prowess in swimming. A regular weekend swimmer at Hikkaduwa, he who would swim beyond the reef to the crop of rocks out at sea called the “Waldugala.”

Lastly, Henderick had twins, a boy and a girl he named Jinadasa and Jinawathie. Sadly, we didn’t know Jinawathi. She had died as a schoolgirl probably from TB. Jinadasa known as Jin Bappa married Bertha from Ambalangoda, related to us from SK Pintohamy’s side. However, my earliest memories of Jin Bappa was when he was sent by my Grand Aunt Missinona to “borrow me for a day.” Apparently Grand Aunt loved children but now when I look back am not sure what I did or how I qualified for this honour! However, my parents were probably happy to have some peace without my chatter and I remember holding Jin Bappa’s hand and walking across the railway line to go play in that house. Sometimes, Aunt Regina’s daughter Gayathri would be there and we would play “House” — take our dolls and dissolve toothpaste in water to make milk for the dolls and play under the shade of a mulberry tree. Come evening, Jin Bappa and I would walk across the railway line — me trying to jump from sleeper to sleeper, singing ditties out of tune with Jin Bappa joining in with a quite chuckle.

My eldest granddaughter  Tara Padme with my son Ranil de Silva. Sydney 24 April 2010.

My eldest granddaughter Tara Padme with my son Ranil de Silva. Sydney 24 April 2010.

Bastian and Pintohamy wanted a daughter so much but didn’t get one. When their first granddaughter Nimala was born to his eldest son Parakrama and wife Millicent,  Bastian was overjoyed.  On his first visit to see the baby, he had thrust two sovereign cold coins into her little hands and watched her with tears streaming down his face. My father used to say he was delighted to be told that he had another daughter when I was born. As I watch my sons with their daughters, I marvel at the love they show their daughters. I suppose times and places change but somethings will still remain the same.

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The Grandmother & the “Kabakuruththuwa”

Sri Lankan grandmother 3244 http://buff.ly/1uec9RT #photography #SriLanka by Shahidul Alam

Sri Lankan grandmother  by Shahidul Alam

One burnt saucepan, 20 pages of editing, half a dozen lumosity exercises later am bored. This is life after retirement. I should probably jump on the treadmill but it is easier to turn to FB and there she was — a portrait of a Sri Lankan grandmother  by the Bangladeshi photographer Shahidul Alam

The years fall back as I gazed at this poised and composed lady as she sits against a wattle and daub wall. The specks of white must be flecks of sunshine behind her but that doesn’t seem to bring a smile to her face. There is a grim acceptance in her lined face. I notice the long nose and the earrings. It’s not difficult to imagine that she would have been pretty and had seen better days in her life. Like the Afghan girl, she had no name. So why was I smitten about this image out of the stream of photos Alam had been posting?

Her stance, her jacket with long sleeves, the pleats of her cloth at the waist, the ease with which she sat,  flooded me with memories of my great grandmother, grandmothers and grand aunts. They all wore the same type of the traditional jacket, called the “Kabakuruththuwa.” This they wore with a long cloth, called a Kambaya.  which is not like a sarong or lungi and underneath the jacket, a cotton home made bra that my grandma called the “bosthorokkey.” Not sure if this is corruption of a Portuguese or Dutch word. Both jackets, and home made bosthorkkey’s are hardly seen now as most village grandmothers now wear dresses or skirts and blouses that one can buy off the peg.

The Kabakuruthtuwa is the traditional jacket worn mostly by women of the “Karava clan  of Sri Lanka.

Portrait of Lily Nona, probably the last lady to wear a "Kabakuruththu" in  Hikkaduwa. 27 Aug. 2013.Photograph©Chulie de Silva

Portrait of Lily Nona, probably the last lady to wear a “Kabakuruththu” in
Hikkaduwa. 27 Aug. 2013.Photograph©Chulie de Silva

It is a uniquely designed jacket, cropped just below the waist with  no shoulder seams. The V neckline is edged with lace and the sleeves are set off the shoulder with long fitting cuffs. In the old days this lace would be hand woven “beeralu”  lace, also called renda or pillow lace, which my grandmother weaved at home. Introduced by the Portuguese, the making of this lace has been revived now as a cottage industry and the lace is being sold on Alibaba.com too. The more dressy versions of the Kabakuruththuwas often have pin tucks and  lace inserts. see: women making Beeralu lace and wearing jackets with the lace.

Lily’s and Alam’s grandmother’s jacket is held with safety pins like most everyday wear ones, but my great grandmother Annie Dissanayake, befitting the daughter-in-law of Mudaliyar Andris Perera Abhaya Karunaratne Dissanayake  wore garnet or ruby ones on her jackets. These were designed along the same lines as cuff links to hold the sides together. They used to call the gems “Rathu keta” meaning red stones.  In later life these fasteners of my great grand mother were turned into ear rings and gifted to her great-grand kids.

Dissanayake Waluwa family taken on my great grandmother Annie's 75th birthday. Photo copyright Chulie de Silva.

Dissanayake Waluwa family photo taken on my great grandmother Annie’s 75th birthday. She is in the middle with her 5 daughters, grandchildren and great grand children. The odd bod with the feet sticking out is yours truly! Photo copyright Chulie de Silva.

My Mum never got into one, though I got a couple stitched — one in pink and one in white with lace and pin tucks and wore them with Malaysian batik sarongs when we lived in Penang. Now that I have reached the senior citizen’s position of being a grandma, I should get some Kabauruththu and a couple of kamabayas — after all they lend themselves beautifully to expanding waist lines. …

Exhibition: ‘Yousuf Karsh: American Portraits’ at the National Portrait Gallery, Washington

Iconic 20th-Century Photographs by Yousuf Karsh on

Display in the National Portrait Gallery

“Yousuf Karsh: American Portraits” opens May 2

In celebration of a major gift to its collection of more than 100 portraits created by master photographer Yousuf Karsh (1908–2002), the Smithsonian’s National Portrait Gallery is installing a special exhibition on the first floor of the museum, “Yousuf Karsh: American Portraits.” This is the second of two installations and will run from May 2 through Nov. 2. A press preview for this installation will be held May 1 from 1 p.m. to 2 p.m. Estrellita Karsh, Karsh’s wife, will be in attendance.

“Yousuf Karsh: American Portraits” is the museum’s first exhibition devoted entirely to the work of this internationally recognized photographer. Each phase of the installation displays 27photographs. The photographs were a gift to the museum by Estrellita Karsh.

“Yousuf Karsh created some of the most iconic photographic portraits of our time,” said Kim Sajet, director of the National Portrait Gallery. “He not only had the uncanny ability to amplify a person’s character, but also offered everyday people the opportunity to glimpse into the private lives of the men and women who shaped the 20th century in a way that feels both personal and real. I am thrilled to have his important work play an integral part in building the nation’s collection of portraits.”

During a distinguished career that spanned more than six decades, Karsh believed that “the heart and mind are the true lens of the camera,” and he developed a genuine rapport with his subjectsto fashion evocative and revealing portraits.

This installation features Americans who have distinguished themselves in fields as diverse as business, medicine, entertainment, politics and the arts. Among the portraits included are Martha Graham, Helen Keller, Jackie Kennedy, Andy Warhol, Ellie Wiesel, Muhammad Ali and First Lady Eleanor Roosevelt.

The museum has previously collected seven photographs by Karsh, including one of the most famous photographs of Winston Churchill, which became known as the “roaring lion,” and a color photograph of the beloved creator of Peanuts, Charles Schultz.

While the photographer is known for his work in black and white, the museum is also showing several works in color.

The curator of this exhibition is Ann Shumard, senior curator of photographs at the National Portrait Gallery.

 

National Portrait Gallery

The Smithsonian’s National Portrait Gallery tells the history of America through individuals who have shaped its culture. Through the visual arts, performing arts and new media, the Portrait Gallery portrays poets and presidents, visionaries and villains, actors and activists whose lives tell the American story. The National Portrait Gallery, part of the Donald W. Reynolds Center for American Art and Portraiture, is located at Eighth and F streets N.W., Washington, D.C. Smithsonian

Information: (202) 633-1000. Website: npg.si.edu.

Press Release from the National Portrait Gallery.

Art Blart

Exhibition dates: 2nd May – 2nd November 2014

Curator: National Portrait Gallery Senior Curator of Photographs Ann Shumard

Decisive exposure

Whether there was, or he understood there to be, a “decisive” moment when Eugène Atget took a photograph is unknown… but I think that what he was trying to achieve was something different. In Atget there is a decisive exposure – or (seemingly extended) time – of the image. In Cartier-Bresson this perception has shrunk to a millisecond but it is still there. Not so different, just this intensity – COMPRESSED.

In Yousuf Karsh I believe that there is more an EXPANSION of time in the portraits – the decisive exposure is drawn out over the length of his engagement and dialogue with his sitters (with out seeing the caption you KNOW that is Robert Oppenheimer – I had not seen the image before but I sensed it instinctively, intuitively, it could be nobody else). He seems…

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Talking to Kingsley Premachandra

I had been dragging my feet for months, and the voice inside me was rising to a crescendo about the jobs around the house that needed to be done.  On “Me Time” life is serendipitous and often its pretty easy to ignore this inner scratchy voice. But the grass on the lawn was getting longer and visuals of more slithering reptile friends joining the garden party with my “thalagoya” were getting frequent. Short of getting a herd of goats like Google, the job had to be done by none other but yours truly.

First step — get the lawn mower blades sharpened. So, finally, finally, off I went to the only repair shop I knew in Colombo — its one advertisement being the open shop with a lawn mower outside at a busy traffic intersection. And that’s how I ended up talking to Kingsley Premachandra.

Kingsley Premachandra at his shop on Havelock Road, Colombo 5, Sri Lanka. 6 Sep.2013. Photograph© Chulie de Silva

Kingsley Premachandra.  Sri Lanka. 6 Sep.2013. Photograph© Chulie de Silva

Few minutes into meeting him, I realised here was a man who loved what he was doing, a skilled man, a forthright speaker. Someone out of old “Ceylon.”

The machine he touched, as lovingly as one would do an adoring child that has been ill-treated!. “Nona, whoever used this has not used it properly.’ He addressed me still as Nona ( lady) in an old fashioned way but there was no mistake in the tone — I was getting a rap on my knuckles for not looking after a friend of his. “These days they import  Chinese machines that are sold at exorbitant prices though they are not a patch on these German ones. … See here the wheels are worn because  you didn’t use it properly and the blades have not been oiled and have rusted. … there are no parts for this machine but I will fix it for you so you can get some more wear out of it …”

Kingsley Premachandra at work. Havelock Road, Colombo 5, Sri Lanka . Photograph© Chulie de Silva

Kingsley Premachandra at work. Havelock Road, Colombo 5, Sri Lanka . Photograph© Chulie de Silva”

So it was lecture 101 in lawn mower upkeep and usage!

I learned my trade from my father NPG Francis, while working with him. I wasn’t a good student and often cut school but I loved anything to do with Yakada (iron). I always remember what my father told me ‘Never be in a hurry to finish a job. You must do the repairs, keep it for awhile and test it again and do a proper job, so the customer doesn’t have to come back to you with complaints.”

I quickly dismissed any chirpy Pollyanna thoughts I had of collecting the machine in a couple of days. Nevertheless, I didn’t miss the tinge of sadness in his voice. He remembered the exact time and place of this conversation with his father as being 6:30 am at the Kalubowila Hospital. “My father passed away at 5 minutes to 1 pm that same day and that memory is carved in my mind.” Something I could very well relate too.

Kingsley Premachandra's shop is just near the Dickman Road traffic lights on Havelock Road. Photograph© Chulie de Silva

Kingsley Premachandra’s shop is just near the Dickmans Road traffic lights on Havelock Road. Photograph© Chulie de Silva

He couldn’t give me a receipt as his wife who handled all these transactions was out but I was told to write my name and address and phone number on a blue card which got hung on the handle of the machine.  They would contact me once it was repaired, which would take about 4 weeks he said. A simple process of doing business!

Sure enough, the call came almost to the day 4 weeks after the machine was handed in.

It was a cloudy, drizzly day, and it took a few minutes for him to recognise me when I arrived to collect the repaired machine.  I was meeting his wife Sunita, the voice on the phone for the first time.

The business part of the repair done, it was time to catch up on our unfinished conversation. I learned he was also a plumber  who had worked on many important buildings. All the money he had earned had been earned honestly with these hands, he said. I watched them black with grease, as he spread them out and recalled the words of his mother on her death bed: “Nothing will go wrong in your life as you have worked hard with your hands and looked after me.

A collector of antiques, Kingsley's shop has old clocks, gramphones from the past and yes plenty of "yakada badu." Photograph© Chulie de Silva

A collector of antiques, Kingsley’s shop has old clocks, a grampohone from the past and yes plenty of “yakada badu.” Photograph© Chulie de Silva

The past silently keeps watch of the present in his shop. There are the wall clocks with static pendulums, old lamps, a faded pink Gramophone and numerous bits and pieces in “yakada.”  He had once picked up three second-hand broaches the shop of his next door friend.  Asked how much he had to pay for them, his friend had said “Just give me something for a cup of tea.” So Kingsley paid him Rs. 100– enough for much much more than a cup of tea. Many years later, a chance comment about one of these broaches his sister wore on a saree for a wedding, got him washing it in shampoo and taking it to a jeweller for checking. That’s when he discovered the stone on the broach was a “Diyamanthi” (diamond).

Kingsley's dog Tiny a silent listener to all the stories of his master. Photograph© Chulie de Silva

Kingsley’s dog Tiny a silent listener to all the stories of his master. Photograph© Chulie de Silva

At 63, the future looms uncertainly for him. His sight is failing and has to undergo an operation to remove cataracts. He has no sons to hand over his business. A relative he trained under him for 9 years played him out. He doesn’t own a house, but one thing he and Sunita are both proud of is their daughter. With shining eyes, and pride in their eyes, they told me she is a graduate and following a Human Resource Management course and is also working as an intern. “All our efforts were to give her the best education we could afford.”

Underlying theme of many of Kingsley’s stories was his grouse about the lack of integrity, and ethics in the business sector as everyone is hell bent on the accumulation of wealth.  “Today even religion is distorted in the pursuit of wealth.”

We had talked till closing time of disappearing values and lifestyles. As I got up to leave both Kingsley and Sunita said “You must come again and meet our daughter.” I didn’t have to ask but Lionel his assistant who had been playing with Tiny, offered to carry the repaired machine to my car.

Although not a labourer, I thought of Khalil Gibran’s statement ‘Of life’s two chief prizes, beauty and truth, I found the first in a loving heart and the second in a labourer’s hand.’

The Art of Travel … creating Flemish Masters at 30 000 feet.

Campari and Sofa

lav6Nina Katchadourian has a unique way of whiling away long plane journeys: she locks herself in the lavatory and styles herself as a 15th Century Flemish portrait. She uses whatever materials are around – paper towels and cups, loo-rolls, seat protectors, eye pads … snaps away quickly – and leaves the bathroom as she found it.

The project began,as Nina tells it, on a flight in March 2010:  “While in the lavatory, I spontaneously put a tissue paper toilet cover seat cover over my head and took a picture in the mirror using my cellphone.”

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A love for photography marries a love for the past – Luther Gerlach

Very interesting – “The results, be they portraits, nudes or landscapes, possess the warmth of the sepia tones, the dreamy notes of times gone by but seen through the eyes of a 21st century artist: they can be magical and unsettling at the same time.

Campari and Sofa

“Quite often I feel as if my soul is in the past and my mind is in the future”.

To say that Luther Gerlach is in love with the past would be too reductive. It might be more accurate to say that Luther Gerlach is in love with the photographing technique and equipment of the past that allow him to take photographs of modern subjects as if it were still 1850.

In his words: “By reducing subjects to their essence, and using the journey of process required to produce them, I create photographs that reflect an emotional state. This journey of process involves the use of large-format cameras and lenses dating from 1850 to 1920, which I have been collecting and restoring for many years.”

In our digital world, devoid of worries for wasting film or wasting time, with airbrushing and apps, and everything in between, that can elevate mediocre…

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Photographer Mark Seliger on Shooting Barack Obama, Cindy Sherman, Kurt Cobain, and More

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 Mark Seliger made a name for himself in the nineties with his now iconic portraiture work for Rolling Stone magazine. From that memorable shot of the nude Red Hot Chili Peppers to one of the last portraits of Kurt Cobain, Seliger quickly cemented his status as one of the leading portrait photographers of his time. The photographer has since shot a diverse array of fashion work for Vogue Italia, Vanity Fair, and Details.
When shooting, he likens the process to riding “a roller coaster wherever it will take me.” He continues, “Sometimes everybody understands you [and] gets out of your way but sometimes you have to adapt.” …
Read more and see an interesting selection of his iconic work on a slideshow:  http://nymag.com/thecut/2013/05/mark-seliger-on-shooting-obama-cobain-and-more.html#