Smithsonian 2013 Photo Contest

What are the hallmarks of a winning image in Smithsonian magazine’s photo contest? Technical quality, clarity and composition are all important, but so too is a flair for the unexpected and the ability to capture a picture-perfect moment.

cYD9qgdOver the past eleven years, Smithsonian judges have seen over 290,000 photographs from more than 112 countries and are once again looking forward to viewing the world through your own unique lens.

Enter photographs in any of our five categories—the American Experience, the Natural World, People, Travel and Altered Images—and compete to win cash prizes. This year we are also looking forward to highlighting the best photographs taken with mobile devices, so as you enter your work into the aforementioned categories, let us know that it was taken with your phone or tablet reader and show us the wonders of this new generation of photography.

The contest is open until November 29, 2013 at 2:00 PM EST. Smithsonian judges will post the best of the incoming entries to our Photo of the Day and Tumblr pages. Finalists will be announced on March 3, 2014. Good luck to you all!

Prizes:

  • Grand Prize: $2,500
  • Category Winners: $500
  • Readers’ Choice: $500
  • Mobile: The best photo in any of the five categories that was taken with a mobile device will receive $500.

Smithsonian will notify the 50 finalists by February 28, 2014.

You may enter no more than seven photographs in each of the five categories with a total contest submission of thirty-five photographs. Online submission of digital photographs via the website.

Image requirements: up to 5 Mb in file size. JPG or GIF format. Photo contest images are judged on computer screens, which have a maximum resolution of 72dpi. When uploading an image, entering a low-resolution file should be fine as long as it is large enough in inches so that the visual integrity of the image is not compromised. Please retain a high-resolution version of your photograph(s) in your personal files. You will need to have a higher-resolution image on hand, at least 300 dpi at 3,000 pixels on the longest side, to be considered in the final rounds of the contest. Only photographs entered into the Altered Images category can be digitally or traditionally manipulated or enhanced.

Please review the contest rules and list of frequently asked questions.

See competition official website to enter and for rules and conditions: http://www.smithsonianmag.com/photocontest/11th-annual/

Note: This is only a re-posted alert for photographers. Please check website and address any queries you have to the Smithsonian.

Exhibition: 'Hilma af Klint - A Pioneer of Abstraction' at Moderna Museet, Stockholm

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Exhibition dates:  16 February - 26 May 2013

I don't often say this about an artist but OMG, I am in love!

Five years before Wassily Kandinsky (he of the book Concerning the Spiritual In Art 1910), before Piet Mondrian and Kazimir Malevich, the images of Carl Jung (The Red Book) and Rudolf Steiner (Blackboard Drawings 1919-1924…

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Tagore for today: Sing the song of the moment. …

What better way to start the Sunday, than read again a poem by Rabindranath Tagore I had ferreted away. This photo taken in my house on the 1 January 2010, as beautiful as it is, is a constant reminder of the fragility of moments, and why we need to let our laughter flush in meaningless mirth. ..

Lotus flower. 1 January 2010. Photograph©Chulie de Silva

Lotus flower. 1 January 2010. Photograph©Chulie de Silva

Sing the song of the moment in careless carols, in the transient light of the day;
Sing of the fleeting smiles that vanish and never look back;
Sing of the flowers that bloom and fade without regret.
Weave not in memory’s thread the days that would glide into nights.
To the guests that must go bid God-speed, and wipe away all traces of their steps.
Let the moments end in moments with their cargo of fugitive songs.

With both hands snap the fetters you made with your own heart chords;
Take to your breast with a smile what is easy and simple and near.
Today is the festival of phantoms that know not when they die.
Let your laughter flush in meaningless mirth like twinkles of light on the ripples;
Let your life lightly dance on the verge of Time like a dew on the tip of a leaf.
Strike in the chords of your harp the fitful murmurs of moments.

This poem originally appeared in the June 1913 issue of the Poetry Magazine.

Photographer Mark Seliger on Shooting Barack Obama, Cindy Sherman, Kurt Cobain, and More

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 Mark Seliger made a name for himself in the nineties with his now iconic portraiture work for Rolling Stone magazine. From that memorable shot of the nude Red Hot Chili Peppers to one of the last portraits of Kurt Cobain, Seliger quickly cemented his status as one of the leading portrait photographers of his time. The photographer has since shot a diverse array of fashion work for Vogue Italia, Vanity Fair, and Details.
When shooting, he likens the process to riding “a roller coaster wherever it will take me.” He continues, “Sometimes everybody understands you [and] gets out of your way but sometimes you have to adapt.” …
Read more and see an interesting selection of his iconic work on a slideshow:  http://nymag.com/thecut/2013/05/mark-seliger-on-shooting-obama-cobain-and-more.html#

Exhibition: 'Saul Leiter' at Kunst Haus Wien, Vienna

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Exhibition dates: 31st January - 26th May 2013

"I like it when one is not certain of what one sees.
We don't know why the photographer has taken such a picture.
If we look and look, we begin to see and are still left with the pleasure of uncertainty."

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"It is not where it is or what it is that matters, but how you see it."

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Exhibition: 'Gordon Parks: 100 Moments' at New York State Museum

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Exhibition dates: 26th January - 19th May 2013

The more I see the work of this outstanding artist, the more I fall in love with it. There is just a beautiful lyricism here - nothing extraneous or superfluous within the picture frame, sensitively balanced photographs that are whimsical and engaging. A woman and her dog in Harlem, NY, 1943 

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Hikkaduwa memoirs through American eyes

Last night, well past 1 am, while my Nugegoda neighbourhood slept and pole cats frolicked on my rooftop, I sat listening to a lesser known Dvorak piece:  “Zypressen for String Quartet”.  The sender Dale Hammond had said “…helps me to feel words and to see and feel characters in a story…almost like with the music I can reach out and touch them.  So, I searched around a bit and came up with a lesser known Dvorak piece. Click on the time line just before 2:00 minutes.  That helped me to sense and feel the people in the following ”Letter to Aruni,” which I love. I begin to see the expression in their faces, the movement of their hands, light and shadow, a breeze thru a cotton shirt or sari.  I got the strongest image at 2:59, but that theme only runs for about: 17 before I lose the image. However, another way I can see is by starting the Dvorak at 00:00, move thru the intro and then begin to read at :13 or :14.”

Sunset through the cinnamon stick fence at Siriniwasa, Hikkaduwa. Circa 2002.

Sunset through the cinnamon stick fence at Siriniwasa, Hikkaduwa. Circa 2002.

“Overall, the sections of the Dvorak above  approximates what I often get in your writing…optimism, youth, light–gentle–sinuous–smooth–curving movement, shyness, necessary and very appropriate formality , sweetness, caring, memory, humor that is always kind….”

What was this letter to Aruni, and who was Dale Hammond? First The letter –purportedly written by my mother Manel in her teens to an agony columnist of the Sunday Observer.

Dear Aruni

I am the eldest daughter in our family, unblemished as the lotus flower I was named after and was brought up by my maternal grandmother in a Walauwa in Panadura. While on a pilgrimage to the shrine in the jungle, we stopped at a house of a relative of mine in Hikkaduwa. There I met this handsome young man at the doorway to his house and he served us tea. He reappeared as we finished bathing in the river before going to the shrine, and he made us marmite soup with just a touch of lime. On the way back he sat with my brother Sepal in our bus. Now he visits our school on the pretext of visiting his aunt who is the Principal of the school. The problem is that my friends call him “Redda” for wearing national dress and I hear his mother will veto a proposal. What should I do?

Aruni’s reply: “Get him to wear western dress and hope his mother will die soon, you are sure to be a winner.”

The letter and the reply both were humorous concoctions of my father Bennie Kirtisinghe and was embedded in a blog post “Flower of Love: Bennie Meets Manel” by  Bala Malli . 

Wedding day 8 June 1944 portrait of my parents Bennie & Manel Kirtisinghe. Photographer unknown. Waluwwa, Nalluruwa, Panadura, Sri Lanka. Photograph© Chulie de Silva

Wedding day 8 June 1944 portrait of my parents Bennie & Manel Kirtisinghe. Photographer unknown. Waluwwa, Nalluruwa, Panadura, Sri Lanka. Photograph© Chulie de Silva

 Manel, my Amma, did turn out to be the predicted winner but couldn’t get Thatha to wear western dress on the wedding day.  The wedding took place in the ample and beautiful gardens of the Dissanayake Waluwa in Pandura on June 8th 1944.  Amma was 21 going on 22 and Thatha was 25 at the time of marriage – I guess my grandma didn’t veto the proposal in the end. …

So how did this listening to music and reading blogs come about and who was Dale Hammond?

On 11 May, 2013, I received this comment on my blog Hikkaduwa Chronicles, on the post Return to Hikkaduwa 7 years after tsunami” and said:

“Was listening to Prokofiev, Opus 31 as I read your “Letters from my father Bennie & Bala Malli.”  It all comes back….It all comes back…  I trust your mother, you, all of yours are well.”
Dale H.

Yes, it all came back for me too. Dale H. was Dale Hammond who first got in touch with me in 2010 to say:

Ms Desilva,

My name is Dale Hammond and I live with my wife Anna in Santa Barbara County, California. I am assuming you are Chulanganie, daugther of Bennie and Manel Kirtisinghe of Hikkaduwa.

Recently I was remembering your parents and came upon your Hikkaduwa Chronicles. I noticed the last comment on the link below was from 2008, so I wanted to make sure you are aware of the comment I left at the bottom of the link. That is why I am writing.
http://chuls.wordpress.com/2008/06/30/the-flower-of-love-bennie-meets-manel/#comment-101
Best Regards,
Dale Hammond
Lompoc, California

His comment coming out of the blue was:

The verandah at the back of Siriniwas, facing the sea. Circa 1970's. Photographer unknown. Photograph© Chulie de Silva

The verandah at the back of Siriniwas, facing the sea. Circa 1970′s. Photographer unknown. Photograph© Chulie de Silva

Chulie,
I stayed with the very kind and gentle Bennie and Manel 42 years ago. A few days ago I wrote the following to my wife Anna, who is touring round-the-world….

One night while you were in Singapore I began to dream of my own trip thru that part of the world 42 years ago. Somehow, my mind got to what was then Ceylon and a little west coastal town there named Hikkadua [sic Hikkaduwa]. I had it so good there…so much so that its memory has receded into my mind to a special place that today makes me wonder if I was ever there at all. For a couple of dollars a day I stayed with a very kind man and his wife: a house they called “Siri Niwasa”, a wonderful room that looked on a garden, a short path to the sea with a magical coral reef, 3 meals a day, and a young man who climbed the trees for young coconuts when I was thirsty in the heat of the day. It was a peaceful town, and the only foreigners I saw during my 2 week stay were a couple of young Germans with a quirky way of looking at life.

My host and hostess were Bennie and Manel. After so many years, a few days ago I found them again….http://chuls.wordpress.com/2008/06/30/the-flower-of-love-bennie-meets-manel/
Love,
Dale

Dale’s message arriving so close to my father’s birthday on 13 May, was as I said to him then a “wonderful posthumous gift”.

I updated him on family news and promised to tell my mother, which I did but I forgot to respond to Dale and tell him that my mother remembered him.

So the 2013, comment came again three years later almost to the day again of my father’s Birthday and yet again a delight.  My mind jumped back to the earlier correspondence I responded immediately, again giving him family news and photos. Dale came back with this:

“….and…thank you for your reply. Yes, it has been awhile. Where we left off, I think,  you were on your way to your Mother to ask if she remembered me. When I heard nothing about her response, I did what I tend to do. That is, I assumed she did not remember me in a good light. When I look back at that period of my life, I think of myself as young, brave, and very foolish, with a less than healthy emphasis on the latter quality. Hence, in my logic, I indicted myself in your mother’s eyes. In truth, I hope it would not be so, or, at the very worst, she does not remember me at all. 

My parents Bennie & Manel Kirtisinghe on the back garden of Siriniwasa, Hikkaduwa circa late 1970's. Photographer unknown from the family albums. Photograph© Chulie de Silva

My parents Bennie & Manel Kirtisinghe on the back garden of Siriniwasa, Hikkaduwa circa late 1970′s. Photographer unknown from the family albums. Photograph© Chulie de Silva

I do remember your mother and father. They were kind and gentle and to me embodied connection and hope, and I know now, for what was then my reality, they were “what the doctor ordered.” They have long been and will always be in my memory.  

I thoroughly enjoy your writing and believe there is much in it to savor. You speak of a time and of a place that few of us could otherwise only imagine. But more, I see in your words a story of people who are real, and special, yet possess qualities to which, I think, many are now and will be drawn. Most of all, at least for me, your words transcend more than just years and memory, but also those human differences in which we so often mire ourselves. All of us are after all, so much alike, and I believe few could not look to Bennie and Manel and recognize the best in themselves. 

On a related note, we live not far from Santa Barbara, CA. That is where I work. Annually, this city plays host to the Santa Barbara International Film Festival. It grows every year, although still small by relative standards. Happily so, as I have heard many say it is intimate in a way the Academy Awards, held 90 miles to the South, could never achieve. But, its size does not preclude it being a draw for great films and great actors: Helena Bonham Carter, Daniel Day Lewis, Robert Deniro, Jeff Bridges, Martin Scorsese, Jeffrey Rush are just the beginning of the list, year over year. 

But, beyond the big names and big films, are the lesser known films and actors and actresses that comprise the independents that grace the stage of the Arlington, the Lobero, and the Riviera, along with other venues. To the point, I believe the story of “Siri Niwasa” is more than worthy of standing with any story contained within those many Independents I have seen at the Festival over the years. It’s a great and wonderful story and I pray it will not end.”

The sea behind Siriniwas, Hikkaduwa. Photograph© Chulie de Silva

The sea behind Siriniwas, Hikkaduwa. Photograph© Chulie de Silva

Please, I pray you stay with this.  Hikka, when I saw it and experienced it, was extraordinary, as is the house, and the characters, and the river, and the people you remember.  It is a story that needs to be told. ”How Blue Was my Sea”….”How Blue Was My Sea”….”How Blue Was My Sea”…